{"id":903,"date":"2012-10-12T08:07:24","date_gmt":"2012-10-12T08:07:24","guid":{"rendered":"https:\/\/tariksamarah.com\/?p=903"},"modified":"2015-09-30T12:54:04","modified_gmt":"2015-09-30T12:54:04","slug":"collective-exhibition-aftermath-project-changing-cultural-landscape-tendencies-of-engaged-post-yugoslav-contemporary-photography","status":"publish","type":"post","link":"https:\/\/tariksamarah.com\/en\/collective-exhibition-aftermath-project-changing-cultural-landscape-tendencies-of-engaged-post-yugoslav-contemporary-photography\/","title":{"rendered":"Pordenone, Italy &#8211; Parco Museum, October 2012 \u2013 November 2013"},"content":{"rendered":"<p>Collective Exhibition &#8211; \u201cAftermath Project. Changing Cultural Landscape. Tendencies of Engaged Post-Yugoslav Contemporary Photography\u201d<\/p>\n<div id='gallery-1' class='gallery galleryid-903 gallery-columns-2 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/tariksamarah.com\/en\/collective-exhibition-aftermath-project-changing-cultural-landscape-tendencies-of-engaged-post-yugoslav-contemporary-photography\/italy2-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/tariksamarah.com\/app\/uploads\/2012\/10\/Italy2-600x400.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/tariksamarah.com\/en\/kolektivna-izlozba-posljedice-mijenjanje-kulturnog-pejzaza-tendencije-angazirane-post-jugoslovenske-savremene-fotografije\/italy1\/'><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/tariksamarah.com\/app\/uploads\/2012\/10\/Italy1-600x400.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Collective Exhibition &#8211; \u201cAftermath Project. Changing Cultural Landscape. Tendencies of Engaged Post-Yugoslav Contemporary Photography\u201d<\/p>\n","protected":false},"author":3,"featured_media":2496,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-903","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-exhibitions","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/tariksamarah.com\/en\/wp-json\/wp\/v2\/posts\/903","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tariksamarah.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tariksamarah.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tariksamarah.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/tariksamarah.com\/en\/wp-json\/wp\/v2\/comments?post=903"}],"version-history":[{"count":0,"href":"https:\/\/tariksamarah.com\/en\/wp-json\/wp\/v2\/posts\/903\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tariksamarah.com\/en\/wp-json\/wp\/v2\/media\/2496"}],"wp:attachment":[{"href":"https:\/\/tariksamarah.com\/en\/wp-json\/wp\/v2\/media?parent=903"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tariksamarah.com\/en\/wp-json\/wp\/v2\/categories?post=903"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tariksamarah.com\/en\/wp-json\/wp\/v2\/tags?post=903"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}